Hayley Wu (胡禧怡) responds to Jinling Wu’s short film One Day Summer Collapses into Autumn, in which cognitive neuroscientist Lee relocates to Scotland, facing inevitable changes in his personal life and an uncertain future.

Theophina Gabriel responds to Bloom, a queer Kenyan pole dancer’s surreal adaptation of Shakespeare’s A Midsummer Night’s Dream by A.T, and a Fringe of Colour 2020 Commission.

Lisa Williams responds to The Drift by Hannah Lavery, a poetic journey through history, Scottishness, belonging and grief, and a Fringe of Colour 2020 Commission.

Xandra Sunglim Burns responds to Where Are You From? by Sophie Gresswell, who searches for an answer to this eponymous question by looking back over three generations of her family.

Caleb Azumah Nelson writes this guest editorial to tell us what’s in store for Week 4 of Fringe of Colour Films 2020.

Raman Mundair responds to A Service in Committing to Love Manifestations of Love and Solidarity #2, a dance film by Mele Broomes combining bright luscious colours, music and movement, and a Fringe of Colour 2020 Commission.

Georgina Quach responds to Silk, a filmic poem by Martha Williams that provides a manifesto of defiant beauty, made as part of the Sorry I Was on Mute series.

Sadatu Futa responds to there is rice at home, a take on the irreverent shitposting zeitgeist media machine, created by Alegría Adedeji.

Nathaniel Brimmer-Beller responds to Mind Tricks, a short film by Robert Hatton of a man in lockdown with extra time on his hands, choosing to learn a new skill, and Mint by Sheyamali Sudesh, a moving image discussing the parameters of control.

Memuna Konteh responds to Race Cards, a filmic re-production of an in-person installation and performance piece by Selina Thompson, created as a Fringe of Colour 2020 Commission.

Andrés N Ordorica responds to Bitter Earth, a film by Nile Price that uses metaphor to explore depression - a man sitting at the edge of a pier, defeated and looking for a way out.

In this guest editorial, Accessibility Director Jojo Fell lays out what’s in store for Week 3 of Fringe of Colour Films 2020.

Theophina Gabriel talks about the vasts possibilities of virtual theatre, from access to imagination.

Alycia Pirmohamed dives into the programme of work for Week 2 of Fringe of Colour Films 2020 in this guest editorial.

Asyia Iftikhar responds to plant portals: breath, a film by Nicky Chue who presents an experimental meditation on the concept of “rest” and asks: “Can nature heal us?”

Katie Goh responds to FORTUNE online, in which sean wai keung adapts his stage performance about navigating Western and Eastern identities.

Elete N-F responds to CLUB, a vibrant exploration of queer black women forging space for themselves against the landscape of London's nightlife, by Esme Allman.

Founder and Director Jess Brough introduces the inaugural year of Fringe of Colour Films and gives an overview of what’s in store for Week 1 of the online arts festival.

Raman Mundair interviews People of Colour affected by loneliness and isolation during the COVID-19 lockdown, and asks how we can support each other.

Rho Chung discusses the differences between engaging with theatre virtually and in-person, asking if it is possible to truly connect from home.